Gaynor Minden pointes showing the internal platform
pads
The Photo: GM Luxe satin
pointes showing toe-box internal platform pads so important to protect against
thrust-drop during ballet-sex
Summer ballet intensive: In
talking about ballet-sex training Willow, Jack’s natural daughter and a former
dancer with the Royal Ballet, said that her contemporaries in the professional
dance world, outside of Vegas, know almost nothing about ballet-sex and how
difficult it is for the woman to perform it properly without injuring herself.
This got me to
thinking. I could offer a 2015 summer intensive for carefully screened ballet
dancer Escorts (there are a few) and their PDD partners at the professional level
that would specialize in preparing the women for ballet-sex. A class of six
couples should be about the right size and provide enough variety between
partners to make the class interesting when partners are exchanged.
As returning readers
will recall ballet-sex is defined for purposes of this blog as penile-vaginal
intercourse to reach orgasm preferably by both partners while the woman is en
pointe a la seconde bending over holding on to a barre, bent over a table, chair
back, desk, kitchen island or other suitable item.
There are so few
ballet dancers who are into sex en pointe or Escorts who service ballet
fetishists who want to take a woman while she is en pointe that there is a real
lack of knowledge about how to do it safely w/o ruining your toes from thrust-drop.
And for the man – though I suppose they have all heard stories of ‘snapping
pussies’ – men say the sex is at a far more intense level as they experience how
much tighter a woman‘s vagina is when she is balanced en pointe because all her
muscles from her toes, ankles, calves, glutes and pelvic muscles are clenched
and then when she orgasms her vaginal contractions tighten her grip even
further. So the man who is penetrating her can sometimes be pushed out while his
glans is being very quickly milked of his semen regardless of how well in
control he thinks he is.
Ballet sex preparation: Toe
protection is very important for women intending to participate in ballet-sex.
That’s because the blocks of toe-shoes made of traditional materials; hessian,
fabric, paste and leather will soften from the heat and perspiration of the
woman’s feet in the time and from the effort of having ballet-sex. The
toe-boxes will melt and deform leaving the toes w/o proper support.
Additionally lambs wool and gel toe pads are by themselves insufficient to
protect the toes against thrust-drop which almost always occurs during
ballet-sex and can badly bruise toes.
Thrust-drop: Thrust-drop is what
occurs when a large man penetrates a smaller woman from behind while she is
standing on her toes in pointe-shoes and at the top of his thrust lifts her off
the floor. The height she is lifted depends on the couple involved, but it can be
from a fraction of an inch to three inches or more and when he quickly
withdraws to thrust again she is dropped on the platforms of her pointes usually
with her knees locked so the entire shock of the drop is absorbed by her toes
resulting in painfully bruised and terrible looking nails. Gaynor Minden pointes with polymer blocks and
thick soft internal platform pads prevent the toe-boxes from melting and
provide superior padding to minimize discomfort from thrust-drop so are the
shoes that should be worn for stability and toe protection during ballet-sex
along with regular toe taping and the use of toe pads of course.
Other aspects of
ballet-sex that cry out for attention are:
- Thrust angle adjustment to maximize
thrusting of well endowed men into the anterior and posterior fornices.
- Use of the Reflexions latex flat spring
diaphragm as a glans stimulator during anterior fornix thrusting.
- Use of performance enhancing meds for
the boys to increase their stamina.
- Use of enemas in prepping for ballet-sex
with well endowed partners.
- Ankle strengthening exercises to
increase stability en pointe during the 20-30 minutes of an encounter.
Diaries and diaphragms: The
most interesting things I’ve found so far are the volumes of her diaries one
for each year of her life from the time she was 16. There were trunks of old ballet costumes and
a few pairs of her Freed pointe-shoes as well as old diaphragms she used from 1927
when she turned 16 and began dancing professionally. That was the year that she
was fitted for her first contraceptive diaphragm. She had kept many of the old
latex diaphragms she used and all from the late 20s through the late 50s in
dark thick latex from Schmid (Ramses). They had dried and were very brittle or had
already turned to dust. The Ortho All-Flex 70mm diaphragms she used from the
early 60s were still in tact, but the domes had holes tears or thin spots in
them. The last one was purchased in 1968 when she was 56 just before she
probably became menopausal. I’m so looking forward to reading her diaries and
finding what else she left of interest.
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