Menstrual in Grishko Maya pointes for Firebird
Firebird: I’m CD4 and menstrual so I’ll be performing the role of the firebird this evening in my erotic version of the 1910 Stravinsky/Fokine ballet. In the first performance, in Paris, Tamara Karsavina danced firebird and Michel Fokine danced Prince Ivan. I’ve been experimenting with Grishko Mayas for a few weeks to see if wearing Russian made shoes help me get into the role of firebird and I really think wearing Mayas does with the great fit of the block and the élève design hard ¾ shanks show off my high arches. I have a dozen pairs that I rotate through over the 5 days I dance the role while I’m menstrual.
In my version of Firebird the prince Ivan wants a magic golden apple from the garden of an evil sorcerer. He asks me to get it for him and n return I ask for his help to release me from the sorcerer’s spell. We agree. I fly over the wall protecting the garden steal the apple and give it to Ivan who in payment removes my diaphragm, drinks my magic flow then penetrates me and plants his vital bodily fluid containing his seed transforming me back into a princess who marries him. It’s a difficult role with lifts, fouettés and jumps and being penetrated while menstrual w/o a diaphragm inserted for flow control. During the fouettés and when landing jumps my flow splatters so the sueded soles of the Maya pointes give me excellent traction on a slippery stage. Being w/o contraceptive protection while menstrual at my age shouldn’t be a problem as my cycles are still very regular so I’m not likely to ovulate while his swimmers are still alive in my tubes. Still, it’s always a possibility so it’s quite thrilling to contemplate.
My Firebird diaphragm: For Firebird performances I wear a silicone wideseal Milex 80 mm Omniflex (coil spring rim) which is easier for my partner dancing Ivan to pull out w/o spilling too much of my flow. He really does drink it then slips the bloody thing into a hidden pocket in his tunic. I don’t wear a death rubber diaphragm, a latex Reflexions flat spring, while performing for several reasons: First a flat spring diaphragm would spill too much flow while he’s pulling it out. Next, with a DR inserted I would appear too confident and as an enchanted princess I need to appear vulnerable. And lastly I wouldn’t trust a man handling anything as vital to my psyche as a death rubber whose former owner’s Chi I’ve bonded with. When I return to my dressing room I immediately reinsert my current death rubber and then I feel far more confident and well protected from male manipulation. The Omniflex used during the performance is given back to me and I rinse it off then drop it into a bowl of isopropyl alcohol to sterilize it before I wear it again the next night